If you’re only recently joining Tell Great Stories, you should know that I’m a HUGE John Green fan. Huge. I’ve only met him once in person, but he is really that cool in real life (and also kind of shy and nervous.) John Green, and by extension the entire Nerdfighter community, is one of the most powerful on the internet and we are all better for it. If you’ve not had the pleasure of becoming a Nerdfighter, now is a very good time to Google it. They are a force of nature to be reckoned with and is the birthplace for the acronym DFTBA which I regularly Sharpie onto my left wrist when I’m having particularly bad/stressed out days.
DFTBA
Don’t Forget To Be Awesome
John Green and his brother Hank Green run a YouTube channel called VlogBrothers that I have faithfully followed for like, three years now. John does a regular segment called Thoughts from Places which are these miniaturized stories that take you to a place you’ve never been but speak directly to something inside you and they are beautiful, thought provoking, and timely. They are only soundbite sized stories, but powerful in their own way.
Also, John is a great author. My faovirte of his books is Looking for Alaska, but he has won much love with Paper Towns and Will Grayson, Will Grayson which he cowrote with David Levithan.
And although it is not a Thoughts from Places story, Hank Green (the science side of this insanely cool duo) just posted a great video explaining what is happening to the nuclear power plant in Japan, and I thought it was important to share.
Quite by accident, I assure you, as I was trying my hardest to do as little as possible with this week’s blog posts (*guilty look*) I ended up compiling a bunch of posts that had a common theme – they dealt in storytelling that pushed the boundaries of traditional as we understand it these modern days, and they are doing it with such talent. It kind of makes me want to try my hand in the wild, uncharted territories known only as, “That space outside the box.”
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Most people have probably at least heard of the band Sigur Rós, a rock band from Iceland, but that’s usually about all people know, if that. They sing in a language Americans can’t understand, and as unfortunate as it is we Americans aren’t all that embracing of things we can’t understand. (Which, by the way, is the reason why so many great Japanese horror movies end up remade by Hollywood. *Sad face*)
Anyway, so maybe you’ve heard a little of Sigur Rós before, and the music is nice enough, but since you don’t know what they are saying, it is hard to follow along, right?
Wrong! I don’t mean to do a little dance around the word, but Sigur Rós is special because they have created a new brand of storytelling, and it’s going to blow your mind. Ready?
The language they sing their songs in? It’s made up. Gibberish. The words don’t mean anything.
Because sound, music, tell universal tales filled with emotion and experience and you don’t need words to understand what is happening within the swell and dive of the notes. Play one of their songs, turn the music up, close your eyes, and by the end of the song you’ll swear you can understand the lyrics, even if they are written in an ancient magic language that only our dreaming subconsciousness can translate.
Music and story are eternally twined together. It is why when I hear certain songs on the radio, moments of my manuscript suddenly start playing like an old fashioned film reel because the emotion of the song and the emotion of the scene are one and the same. It is why we get goosebumps when we hear theme music to our favorite television shows. A show of hands, how many of you immediately start playing Supernatural scenes through your head when you hear Kansas’s “Carry On Wayward Son”? And it’s not even the theme song. Or think about Charmed when you hear The Smiths’ s “How Soon is Now?”
Here are two of my favorite Sigur Rós songs. They sweep me off into fantastical stories with such force I come back from them believing I could and should start writing something brand new right now, right this minute, based on the visions these songs brought me.
Edit: I cannot find embeddable versions of the videos, so you’ll have to click. I know, extra step, I am very sorry.
It is worth your time though.
There are 101 ways to tell a story, and I don’t mean the difference between hardback, paperback and digital. I mean the format of story, what form the storyteller takes and how the audience receives it. Most of us here at Tell Great Stories are the paper or digital storytellers, and most of us get our stories from books, television, movies, and that’s about it. Sometimes we bare the occasional oral storytelling from our mums and let’s face it, as embellished as those usually are, they might as well be classified as fiction. Am I right?
But there are others, maybe less tried, maybe less true, an exceptional few creating new and experimental forms of storytelling.
Quite by accident, I assure you, as I was trying my hardest to do as little as possible with this week’s blog posts (*guilty look*) I ended up compiling a bunch of posts that had a common theme – they dealt in storytelling that pushed the boundaries of traditional as we understand it these modern days, and they are doing it with such talent. It kind of makes me want to try my hand in the wild, uncharted territories known only as, “That space outside the box.”
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Fables of the Flying City is not only the most gorgeous blog in the blogosophere, it isn’t even really a blog. It’s a story, built through podcasting, taking advantage of the tradition of oral storytelling from time immemorial and dressed in cool graphics.
Fables of the Flying City is a swashbuckling steampunk adventure and the brainchild of Jared Axelrod (whose name totally sounds fake, right?) Jared tells his tale as if it were a stage drama with voices and personalities. I absolutely adore Fables. Jared just finished the 30th podcast and announced we were coming close to the end, but not to be too sad as Fables is coming to graphic novel form (by TOR) in the fall (another excellent form of storytelling.)
Fables even has epic theme music. Can I have some theme music for Tell Great Stories? No? I’m not cool enough? Ok, that makes sense.
Via the website: “Ashe, a young woman from the streets of the flying city of Amperstam learns what it takes to be a member of the Aerial Guard, and finds herself at war with an invading empire and the rulers of the city she has sworn to protect!
Fables of the Flying City is written by Jared Axelrod, with illustrations by Steve Walker and Natalie Kelly.”
The first podcast, The Business of Scars, has a little bit of background about creating the story and provides some thought-provoking discussion on themes.
Not all stories make good voice productions and certainly not everyone can tell great stories this way. It helps that Jared has one of those amazing stage voices you could listen to for hours and hours. Oral storytelling requires great cadence, which isn’t exactly the same thing as pacing, though they have some similarities in style. It is the very reason why reading Shakespeare can’t even compare to hearing it performed. What looks like gibberish on the page sings in performance. Neil Gaiman is a writer with cadence in his writing that sounds so delicious when spoken. Another difference you’ll be surprised by is that where printed fiction sinks under the weight of unnecessary adverbs, oral storytelling is quite differently lifted by poetic prose and lilting “lys.”
What do you think about oral storytelling? Do you like your audio books or do you have a hard time paying attention? I personally have a hard time paying attention, usually, but not to Fables. I’m transfixed. I’m in love. I’m taken in by Fables’ sublime and beautiful tale. Are there any podcasts or audio stories you’ve been romanced by?
I am a writer, but I dabble in art. I started in art because I wanted to write comics. I know, it doesn’t make sense, but I loved comics since I was young and once I grew old enough to purchase the comics stores keep sealed in plastic sleeves, forbidden unless you’re 18 years old, I discovered the arresting storytelling of darker comics. Then later still, I found web comics – so funny and honest and all about people just like me or interests that I loved. So I taught myself how to build a website and some basic but passable coding so that I could learn to draw so that I could learn to write web comics.
I don’t do anything simply. But at the time I didn’t know anyone who could build web sites or draw so I had to learn to do them myself if I wanted to write comics. Eventually I took up a job during college in an art store so I could get a discount to replace all the art supplies I was ruining through self-teaching. All this so I could tell stories.
It’s all I ever wanted to do.
But going the long way around meant I picked up a thing or two about art and I learned that I couldn’t love art that didn’t tell a story. Funny that, but abstract expressionism and a lot of post-modernism is totally and completely lost on me. Jackson Pollock baffles me. But I love art that tells a story and better still when it brings story – quite literally – to life, which is how I found papercrafting and taught myself that, too, all in pursuit of storytelling.
I would have saved myself a lot of time and effort if someone would have just shoved a damn pen and notebook in my hand and said, “Here, write something already,” but no, I had to find my way the long way around in order to end up at the beginning.
I’m not good, but I love it. My art is flawed and I am no real artist, which is fine because as I said in the beginning, I started doing art because I wanted to write stories. When writing becomes impossible and I get all mentally blocked up, one of my pressure release valves is labeled “papercraft” and another “watercolor” and a third “acrylic” though that one gets released less often than the others because it is such a bother to get out all the supplies and my husband complains I’ve taken over the entire dining room table and I come to bed smelling like tube paint and gesso.
Papercraft to me is an achingly gorgeous melting of story and art because what you create is so close to alive, as if by holding your breath you might step into it. Masters of papercraft are something closer to architects, mathematicians, and scientists than they are artists because of the engineering that must go into the formation.
Not entirely unlike the need for outlines in order to create structurally sound novels.
These are some of the masters I turn to for inspiration. I’ve included a sample or two for each but I urge you to click through to their gallery webpages for their full body of work.
Thanks everyone. I wish you all good inspirations and a happy Thursday.
Sommer
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Peter Callesen
(My favorite artist.)






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Wataru Itou
(My favorite piece of papercraft in the whole world. I want to live in his paper world.)


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Su Blackwell



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Sher Christopher



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Others:
Annie Vought (Beautiful papercut letters)
Eric Joisel (Master of Origami, check out the Commedia dell’ Arte)
Ingrid Siliakus (I can’t even wrap my brain around her beautiful and immense papercraft projects)
Brian Dettmer (weird but neat book sculptures)
I’ve been meaning to post this series of 4 YouTube videos called “Ira Glass on Storytelling” that is just about filled to the top with very useful, very applicable, very timely advice. Also, I swear I could listen to Ira Glass read the back of a cereal box and be inspired.
Part 1 is about building the story and the power of the anecdote.
Part 2 is about how long it takes to find a decent story – that not all ideas are worthy of telling. Sometimes a good idea isn’t a great idea and it is ok to kill them. “By killing you will make something else even better live… Not enough gets said about the importance of abandoning crap.”
Part 3 is about the gap between wanting to be good and getting good. “The first couple of years you are making stuff – what you are making isn’t so good… It has ambition to be good but it’s not quite that good. But your taste, the thing that got you into the game, your taste is still killer. Your taste is good enough that you can tell what you’re making is kind of a disappointment to you. You can tell it is still sort of crappy. A lot of people never get past that phase. A lot of people, at that point, they quit… Everybody goes through that… You got to know it is totally normal.”
Part 4 is about trying to imitate others instead of being yourself. It is mostly about being a radio personality, but the applications of his advice are wide especially in the growing social network we’re surrounded by.
Enjoy!
http://www.youtube.com/watch?v=loxJ3FtCJJA
http://www.youtube.com/watch?v=KW6x7lOIsPE&feature=relmfu
http://www.youtube.com/watch?v=BI23U7U2aUY&feature=relmfu
http://www.youtube.com/watch?v=baCJFAGEuJM&feature=relmfu

