May 012013
 

writing tools

This is a little old (I have a lot of saved links to catch up on) but worth archiving. i09 published an article called “The 22 rules of storytelling, according to Pixar” and it’s got some great nuggets of writing truth. These were written by Emma Coats and tweeted for all our benefits.

From Emma Coats, via i09

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.

#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.

#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.

#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.

#17: No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.

#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

#20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?

#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?

#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

 

 Posted by at 6:00 am
Jun 112012
 

 

No money for a writing workshop this summer?

That’s ok, because you’ve got author Brandon Sanderson to the rescue!

Brandon Sanderson’s 2012 creative writing lecture class at Brigham Young University was recorded and posted free online for everyone to enjoy and learn from. (Also all are on YouTube)  The class is pretty fantastic, though the first few videos have some technical issues, it doesn’t matter. Brandon’s handwriting on the white board is horrifying, so you’ll do just as well sticking your headphones in and listening while you multi-task.

I’m a HUGE fan of his character section. The class is weighted specifically for science fiction authors (which Brandon is) but you do not need to be a sci-fi writer to get a lot out of this class. He just uses a lot of classic sci-fi as his examples. His YA knowledge is a little bit lacking, I think, just a little bit, but that’s fine. He writes for adults so I don’t expect him to be an expert at YA and he admits he’s not. Still, most of his lectures are about craft, and that’s pretty universal no matter what you write.

He also participates in a podcast with authors Mary Robinette Kowal, Howard Tayler, and (the amazing!) Dan Wells. The podcast is called Writing Excuses and it’s OMG brilliant. The latest podcast, in fact, is about time travel. And you guys know how I feel about time travel.  I like their tag line too:

Fifteen minutes long, because you’re in a hurry, and we’re not that smart.

Your Writing Tools:

 

 

Video 1: